#Wale attention deficit tracklist series#

We see an obvious homage to A Tribe Called Quest on “World Tour”, an inspirational, piano driven collaboration with Jazmine Sullivan, as Wale delivers a “Touch The Sky”-esque narrative about his life in the industry thus far. Wale seems to have all of the bases covered here, with songs that will please the backpack set, the club goers, and even his longtime local followers. But still, while these mixes showed that he could definitely rhyme, would he be able to cut it in the big leagues, or be another Saigon, forever banished to crappy CD-R’s and Zshare links?Īttention Deficit manages to defeat any preconceived notions about Wale, and actually surprise with an incredibly solid debut album.

#Wale attention deficit tracklist series#

Thankfully, Wale quickly dissolved any notions of being pigeonholed as this type of artist through a series of five mix CD’s that preceded the release of this album. Granted, nobody wants to hear a full-length from DJ Kool, but we don’t mind him as a hype man. One might question whether or not someone who essentially began as a go-go artist had the chops to pull off a full-length release in the major label world. (not to mention kill a remix of their global hit “D.A.N.C.E.”). He later signed with Ronson’s Allido Records, and would soon share the cover to URB’s 150th issue with J.U.S.T.I.C.E. Shortly thereafter, Wale began to release a series of mixtapes, until he was noticed by Mark Ronson, who eventually asked him to appear on a remix of Lily Allen’s “Smile”. With “Dig Dug”, he became the first local artist to chart on Neilson’s Broadcast Data System since DJ Kool in the nineties.

area with a pair of go-go club hits, “Dig Dug (Shake It)” and “Breakdown”, respectively. Nigerian-American emcee, Wale, first hit the scene in 2006, making noise locally in the D.C.